Thursday 7 June 2012

Pioneers


Lumiere brothers
The French inventing team of brothers Auguste Lumière and Louis Lumière was responsible for a number of practical improvements in photography and motion pictures. Their work on colorphotography resulted in the Autochrome process, which remained the preferred method of creating color prints until the 1930s. They also applied their technological talents to the new idea of motion picturephotography, creating the first projection system that allowed a film to be seen by more than one person at a time.








George Albert Smith

George Albert Smith was a stage hypnotist, psychic, magic lantern lecturer, astronomer, inventor, and one of the pioneers of British cinema, who is best known for his controversial work with Edmund Gurney at the society of physical research, his short-films from 1897-1903 which pioneered film editing and close-ups, and his development of the first successful colour film process, kinemacolour.



Cecil Hepworth
 Cecil Hepworth survived in the film business longer than any other British pioneer film-maker. His film-making career began in 1899 when he converted a small house in Walton-on-Thames into a studio. Twenty-five years later it would be the over-ambitious expansion of the studio that would drive him out of business. In the course of his career, Hepworth became one of the most respected, if not the most dynamic, figures in British cinema.


Edwin Porter
Porter’s skill with editing and methods of projection were used to great effect in some of his earliest films. He combined documentary footage with his own footage in films like 'The Execution of Czoyosz' (which he made with actor and set painter George S. Fleming); in 'Life of an American Fireman' he adopted a documentary style of filmmaking .


D.W. Griffith's
Griffith's was famous for the film The Birth of a Nation made pioneering use of advanced camera and narrative techniques, and its immense popularity set the stage for the dominance of the Feature length film in the United States. The film has been extremely controversial for its negative depiction of African Americans, white Unionists and reconstruction, and its positive portrayal of Slavery and the Ku klux klan. The film was widely criticized and subject to boycotts by anti-racist organizations such as the NAACP. The film was not a financial success but was praised by critics. Several of Griffith's later films were also successful, but his high production, promotional, and roadshow costs often made his ventures commercial failures. He is generally considered one of the most important figures of early cinema for his command of film techniques and expressive skills.


Lev Kuleshov
Lev Kuleshov was a Russian director who used the editing technique known as the "Kuleshov effect." Although editing innovations, such as crosscutting were used by directors in Hollywood before him, Kuleshov was the first to use it in the Soviet Russia. Openly pro-American and quietly anti-Soviet, he was driving a Ford sports car amidst Soviet poverty and Stalin's purges, and remained a controversial figure who joined the Soviet communist party and destroyed archives of rare silent movies during his experiments, thus clearing way for his own works. 



Sergei Eisenstein 

Eisenstein was a pioneer in the use of montage, a specific use of film editing. He and his contemporary, Lev kuleshov, two of the earliest film theorists, argued that montage was the essence of the cinema. Eisenstein believed that editing could be used for more than just expounding a scene or moment, through a "linkage" of related images. Eisenstein felt the "collision" of shots could be used to manipulate the emotions of the audience and create film metaphors. He believed that an idea should be derived from the juxtaposition of two independent shots, bringing an element of collage into film. He developed what he called "methods of montage", starting from Metric,Rhythmic, Tonal, Overtone and Intellectual


Alfred Hitchcock
Hitchcock fashioned for himself a distinctive and recognisable directorial style. He pioneered the use of a camera made to move in a way that mimics a person's gaze, forcing viewers to engage in a form of voyeurism. He framed shots to maximise anxiety, fear, or empathy, and used innovative film editing.His stories frequently feature fugitives on the run from the law alongside "icy blonde" female characters. Many of Hitchcock's films have twist endings and thrilling plots featuring depictions of violence, murder, and crime, although many of the mysteries function as decoys or "MacGuffins" meant only to serve thematic elements in the film and the extremely complex psychological examinations of the characters. Hitchcock's films also borrow many themes from psychoanalysis and feature strong sexual undertones. Through his cameo appearance in his own films, interviews, film trailers, and the television program of him. he then later became an icon in the film industry.

References

Thursday 24 May 2012

The Meeting

Introduction
For this assignment we worked on a project called the meeting, were two friends  Dave and Steve have a phone conversation on were to meet each other and Dave is urging Steve to hurry up to meet him for a "meeting", this then becomes a dramatic race against time for both friends to meet up, before then plans are being put at risk.  our group was then given the option  of either both the characters meet up( happy ending)or they both miss each other(bad ending).
Task
The task we were given of the meeting, in my opinion was a massive success if compared to my spaghetti hero video, the reason why it was successful in my opinion is that the whole class grouped together for the logging sheets and took less time , than what my previous assignment logging sheets were, what I personally did was mark up the logging scenes and use the A1 camera to find what I wanted  , then marked it up on the script. this then helped to collect the scenes my group wanted to put onto final cut  with the HC9 camera( and go on "log and capture" to get them. firstly got most of Dave's and Steve's conversation to concentrate on their scenes first, however their were some issues like the voices talking ahead of another voice and their actions didn't flow well, this issue was later solved by cutting areas of clips in the timeline and separating up a bit more. then we got more scenes of Dave coming out of his office and Steve running to the college(used the soundtrack eye of the tiger for a nostalgic moment). were they will unfortunately miss each other(bad ending). their were moments in the clip  were there were interruptions  and more unwanted voices,  but were easily removed by cutting areas off and lowering the volume levels.
Likes and Dislikes
What i like is the easy method , our group took to make things easier to put our clips down on the mac. however I disliked to terrible acting , which made our assignment fairly difficult to produce.
skills
The skills I have learnt from  this assignment would be, using the lock tool(to keep things I want intact). learnt how to select clips using the "shift" key for stuff like pacing clips somewhere or coping and pasting.

LEARNT

Straight Cut Pacing
what i could say i have learnt from this assignment would be my knowledge of editing. like creating "straight cut pacing,which gives a illusion of actions happening in current events,even though they are both separate scenes, i was also told that a minimum of 3-4 second of clip is enough before an audiences has time to get bored of it.
For example straight cuts are quick transitions from one shot to another, mimicking the way the human eye sees the world, but also could become harsh and even confusing when there's no the cue that suggests a change has taken place.


showing the length of clips on timeline.


Cross- Cutting
 Learnt cross cutting, were actions happen in two different places at the same time, which creates drama and suspense.  for example scenes were Steve and Dave are both moving at the same period, which keeps the audience interested on how the story should end.


Cutting on an action
Cutting on an action was a technique to show continuity within the scenes of Dave and Steve, it also gives the scenes its importance and hides  the ends of faults.
Example of cutting on  action were overlapping clips occur

Sound Bridges
 Our group created sound bridges by accident, but worked out with the phone conversation , because they both talk to each other at that same moment, and hid the editing well, but in the end we did not use it for our meeting "conversation".









example of sound bridge






None- Diegetic Music
I used a song called "eye of the tiger" to give our meeting video a creative life, which helps reinforce the story, drama, and suspense sense of continuity, this is called "Non - Diegetic Music" which is visible on the screen or whose source is implied to be present by the action of the film.

sound made by objects
soundtrack of song




voices of characters,
sound made by objects in story,
music represented as coming from instruments in the story(=source music).


Overall Experience
I felt I had developed with my group and understand the "final cut pro" more and more, with putting clips together so the sequences flow well.



our meeting video

Thursday 29 March 2012

3 shot video

our version

used a sound track by des'ree called 'kissing you' as well as some 'fade in' video editing techniques towards the song. what i like about this video we had created is how every scene were different however the music enabled the scenes to link together towards the harmonys.

Friday 16 March 2012

My Kuleslov effect



this is my kuleslov effect which included 4 scenes, one that shows repeatedly(which is the main focus)and the others are different scenes of the graveyard,bridge and people walking

Thursday 8 March 2012

Example of a pan shot


Pan in film works by turning horizontally on a vertical axis, but the effect may be enhanced by adding other abilities, such as rails to move the whole camera platform. Slow panning is also combined with zooming in or out on a single subject, leaving the subject in the same portion of the frame,

Thursday 23 February 2012

hollywood montage wipe

Visible on screen as a bar travelling across the frame pushing one shot off and pulling the next shot into place. Rarely used in contemporary film.
180 rule

The 180° rule is a basic guideline that states that two characters in the same scene should always have the same left/right relationship to each other. If the camera passes over the imaginary axis connecting the two subjects, it is called crossing the line. The new shot, from the opposite side, is known as a reverse angle.

Thursday 2 February 2012

:Editing Process by which shots are put together into sequences or scenes.

cross-cutting

The alternating of shots from 2 sequences, often in different locales, suggesting that they are taking place at the same time.
fast-cutting editing

It gives a dramatic effect that combines music, tighter and tighter close-ups and shortening of hot length.
continuity-editing

It’s the type of editing, which follows certain rules, effortlessly connects shots so as or give the illusion of continuity of time and place.
montage

Montage comes from the French word meaning to edit, its assembling bits of footage to form a whole.hollywood montage is described as a sequence of shots which summarise an action.Music soundtrack also builds tempo up a good example would be this rocky clip, this helps to keep viewers interested n what they are watching